Eduardo Prieto, Guiomar Martín

congreso.ciudadynaturaleza@ahau.es

https://ahau.es/congreso/iv-congreso-internacional-de-la-ahau-otono-2024/

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Architecture manipulates form, matter, and energy to create environments with a certain cultural stamp, and this obvious but rarely voiced statement signals the potential of an environmental history of the discipline, the purpose of which would be to inform on the highly diverse ways by which human beings have met the challenge of making nature livable again. Since the mid-19th century, architecture has been scrutinized in terms of concepts —styles, authors, societies, cultures, production modes– mostly taken from Art History and the Human Sciences. The historiography of architecture has traditionally been constructed ‘from the top down,’ but today we can and must also try to build it ‘from the bottom up,’ through themes like the environment, comfort, energy, landscape, material culture, and experience of the human body; themes not only included among contemporary concerns, but which are fundamental to an understanding of historical facts in their particular contexts. The environmental approach encompasses everything from the smallest and most specific to the broadest and most generic, and in its ambition to embrace architecture at large, it also covers the city, which is as much a powerful economic, political, and social construct as it is a complex network of ecosystems: the quintessential environmental invention of humans. Hence the importance of making the city the theme of the first Conference of Environmental History of Architecture ever to be held in Spain and possibly in the world, the objective being less to provide answers than to raise questions that open the door to revising, refining, or updating our knowledge of the past, and also some of our historiographic presuppositions.